boss rc 50 loop station looper pedal Boss RC-500 Loop Station – Kraft Music
SKU: 26297075965
boss rc 50 loop station looper pedal

boss rc 50 loop station looper pedal Boss RC-500 Loop Station – Kraft Music

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Description

boss rc 50 loop station looper pedal Boss RC-500 Loop Station – Kraft MusicBoss RC 500 is an essential partner for guitarists, singer songwriters, multi instrumentalists and anyone who wants to take their looping to the next level. Craft real time compositions with two loop tracks, mic and stereo instrument inputs, rhythms and inspiring Loop FX, all backed by premium 32 bit audio quality. Store loops in onboard memories and explore expanded operation with external controls and MIDI. Filled with next generation Loop Station

Boss RC-500 is an essential partner for guitarists, singer/songwriters, multi-instrumentalists and anyone who wants to take their looping to the next level. Craft real-time compositions with two loop tracks, mic and stereo instrument inputs, rhythms and inspiring Loop FX, all backed by premium 32-bit audio quality. Store loops in onboard memories and explore expanded operation with external controls and MIDI. Filled with next-generation Loop Station features, RC-500 gives serious creators the tools they need to develop new ideas and deliver impactful performances that will leave audiences wanting more.

  • Advanced two-track looper with onboard mixing and deep control options
  • Class-leading sound quality with 32-bit AD/DA and 32-bit floating-point processing
  • Stereo looper engine with 13 hours of recording time
  • LCD with multi-color backlight for viewing loop status and editing parameters
  • Mono/stereo inputs for easy pedalboard integration, plus independent XLR mic input with phantom power
  • Reverse function and Loop FX (repeat, scatter, shift and vinyl flick) for dynamic and engaging loop performances
  • 16 different drum kits and 57 preset rhythms with A/B variations
  • Support for expanded control via external footswitches, an expression pedal or MIDI
  • Full MIDI I/O provided with space-saving mini TRS jacks (Boss BMIDI-5-35 1/8" to 5-pin DIN cable available separately)
  • Onboard storage for 99 phrase memories
  • Back up and load WAV loops via USB
  • Runs on four AA batteries or optional AC adapter (sold separately)
 

Super sound quality
Featuring best-in-class 32-bit AD/DA and 32-bit floating-point processing, RC-500 captures your personal sound with full fidelity and keeps loops crystal clear, even with multiple overdubs. And with 13 hours of stereo recording time, there's plenty of space for extended creative journeys.

Connect, loop and mix
With its versatile I/O and free-flowing interface, RC-500 is ready to support all your musical visions. Connect mono/stereo instruments and pedal effects, plus a mic to the dedicated XLR input complete with phantom power if needed. Use the two tracks independently for song-style composition or together for rich multi-track textures. The LCD backlight changes color to clearly show the current operation mode, while hands-on track faders and a mic level knob provide direct access to volume control as you loop.

Flexible creative control
Three onboard footswitches make it simple to control recording and playback, track switching and more. For expanded operation, you can connect up to two external footswitches for direct control of many assignable functions or an expression pedal for continuous adjustments. For more advanced rigs, the space-saving TRS MIDI I/O enables remote operation from MIDI switchers and foot controllers, plus MIDI clock sync with drum machines and DAWs.

Personalize your setup
RC-500's I/O and footswitches are configured for basic operations by default, but they can be reassigned in a variety of ways to meet your custom needs. Route left/right input sources to separate tracks or send guitar and vocals to independent outputs. Use the footswitches to turn effects on/off, start/stop rhythms and more. Custom assignments are saved along with phrase memories, letting you instantly reconfigure RC-500 for any application.

Energize performances with rhythms and Loop FX
Loaded with inspiring rhythms and evocative loop processing, RC-500 is primed to bring groove and color to all your looping adventures. Each of the 57 preset rhythms include A/B variations, while 16 different drum kits provide sounds to match any style. Designed for live performance, Loop FX like repeat, scatter and more infuse your loops with instant sonic energy. There's a cool reverse function, too, perfect for creating unique sonic flavors on demand.

Capture, practice and perform
RC-500's 99 phrase memories let you store loops as fast as you create them, complete with rhythm and kit selections, audio settings and control assignments. Loop audio can be backed up to a computer via USB. And with WAV import via free Boss Tone Studio computer software, RC-500 becomes a central playback hub for lesson material, jam tracks or backing music for your next gig.

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SKU: 26297075965

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Wildthingsloved
Louisville, US
★★★★★ 5
Five Stars
Format: Hardcover
nice
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Reviewed in the United States on December 1, 2014
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Ryan Siriwardene
San Leandro, US
★★★★★ 5
moelicious
Format: Hardcover
i cant wait to read it!!!!! It came in great condition just like the ones I bought in australia
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Reviewed in the United States on May 10, 2009
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Drewsci27
Lowell, US
★★★★★ 3
not as funny as others
the other simpsons libary of wisdom books are better. but still a fun read and good for the price. Moe
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Reviewed in the United States on April 10, 2013
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Elvin Ortiz
Birmingham, US
★★★★★ 5
Batman for the Sake of Art: A Great Collection
Format: Paperback
I enjoyed this very much. I also found it an adventure to read and view these Batman tales because they were different from what I've read so far. Mark Chairello wanted to create a Batman volume with different artists collaborating on it and he accomplished that. But what was most impressing to me and what I found so different from what I've ever read on the Batman is the impressionistic style of the artwork and perhaps, the absence of plots. The narratives that we find here are most likely to be vignettes, shorter than short stories. This narrative style accompanied by the impressionistic artwork where we see each artist's interpretation of the Batman defines the tone, mood, and characterization of this collection of stories. Although each artist showed his own version of the Batman, the artwork of each had one thing in common: it stressed the Dark Knight persona of the Batman. The stories were less controlled by a sense of plot than a sense of atmosphere and characterization. These were darker than what I'm accustomed to read. Death permeates its pages. Batman fights crime but he can't prevent the bloodbath while he's doing so. The very first story, Perpetual Mourning, shows the detective seeking a clue for a murderer on a corpse in a morgue. While doing so, an interior monologue reveals the Batman's thoughts and his feelings toward the victim. Readers see their hero internalize the loss of this victim. McKeever intensifies this feeling by presenting a couple dancing: is this the woman while alive dancing with Batman? Was this someone Batman knew as Bruce Wayne? Other stories that I immediately classified as favorite are Joe Kubert's The Hunt; Good Evening, Midnight by Klaus Janson; a psychological drama, In Dreams, by Andrew Helfer and art by Liberatore; Heist, written and illustrated by a minimalist artist, Matt Wagner; Brian Bolland's An Innocent Guy is quite interesting because it summarizes Batman's life from the point of view of a person who plans on killing him; and Archie Goodwin's Heroes illustrated by Gary Gianni. This latter story is a WWII story where Batman deals with Nazis. Bruce Timm's Two of a Kind, is really a Two-Face story more than a Batman story. It has the traits of noirish films of the 40s where the attempts of criminal to reform are thwarted by fate. Two Face finally gets a human face, falls in love with the doctor who made it possible, but fate eventually gets in the way. There are some R-rated panels in this story. Walter Simonson gives us a futuristic story about the Batman, while veteran Dennis O'Neil shares a narrative that goes deep into Batman's psyche and a Christmas story that reminds us of some of his early works in the seventies. Batman pursues a strange serial killer in Howard Chaykin's Petty Crimes and Goodwin tells a haunting tale of a demonic trumpet, illustrated by Jose Munoz. Monster Maker by Jan Strnad was also quite haunting for it shoes the influence of gang violence on children. Illustrated by Richard Corbin, it is perhaps the most graphically violent of this collection. I notice that the title of this collection is accompanied by the name of Frank Miller, but he only makes one cover artwork contribution in this book. Thus, do not expect plotted narratives in this tome. Just enjoy the artwork and short vignettes about who the Batman is and the world in which he lives. I was not disappointed by this purchase and enjoyed the reading very much.
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Reviewed in the United States on July 21, 2017
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Tom Reagan
Battle Creek, US
★★★★★ 5
Must-Own for True Batman Fans
Format: Paperback
I own and have read all 3 volumes of these Batman: Black and White books. They're all good, and in order of volume, so Volume #1 is the best, by far. What makes them great (and I'm mostly referring to volume one, although these can apply to all volumes): - Large collection of unique stories, and the stories are short - about 8 pages, I think. So I made a habit of reading just one or a few stories at the end of each night, for example. There's 20 different stories! So if you're a big Bat-Fan like me, you're bound to like most. - A different writer and artist for each story. So, some of the stories you'll love, and some you might hate. But for the most part, I liked a large percentage of them. And when they're good, they're REALLY GOOD! And sometimes, if the story isn't that great, the artwork might make up for it (or vice versa). - The artwork! Again, a large percentage of the stories really do have fantastic art. It's a real treat turn the page and read an entirely different story with a completely different (artistic) take on Batman. Plain and simple, every huge Batman fan should own all of these books. Start with this volume.
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Reviewed in the United States on May 11, 2010

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